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It's already pretty clear that Sony once again will underdeliver, lazily adding incremental upgrades to its FX3 body, as it did with the FX2 even though stubborn old vets failed to recognize that the FX2 overall bested the FX3 (and shares the new #FX5's slightly fatter expansion of the original FX3 and then FX30 body).

That Eurodork over at SAR who's constantly panhandling for commission clicks, fired up the fanboys about 32-bit float audio, when it's merely an expensive top handle accessory like for the new a7R VI. And the eyepiece hype turned out to be a dainty hotshoe accessory that will of course cost way too much, cuz Sony. The internal RAW still won't measure up to the efficiency and performance ratios of BRAW, and Sony color science still is what it is. The claim of 16 stops of dynamic range is hilariously dishonest. And so on.

I'd pay about three dollars more than the FX3 for this latest nudge up, because technology is supposed to get cheaper especially when it's just stacking onto an existing design that's been in the market for many years. But of course, greedy Sony will levy as much cash as they can extract from their fanboys addicted to clickbait and influencers and getting the latest toy. ... See MoreSee Less

iZotope Joins the Boris FX Family by Oliver Peters - ProVideo Coalition ... See MoreSee Less

Choosing multiregion DVD/Blu-ray players for framerate purists in the US and ex-NTSC countries in the Americas by Allan Tépper - ProVideo Coalition ... See MoreSee Less