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Category: Sony NEX-FS700

19 October 2015

Atomos Master Caddy Docking Station: Got Something Faster?

Written by Paul Moon

When you use an Atomos recorder like the Shogun or Ninja Assassin, there’s no getting around using those Master Caddy II cartridges. Kind of a hassle, they’re not tool-less, with four tiny screws that need a screwdriver. Other than adding a layer of plastic protection, they don’t really do much, and become disconnected easily, as they merely use the same standard flimsy SATA drive connector designed for use inside of a computer case.

Atomos Shogun Sled versus Sabrent Dock-3There’s always been the Atomos Powered Docking Station product that mates your Master Caddy II with your computer via USB 3.0 using its single main blue plug, or USB 2.0 using the included pair of plugs. Even at faster USB 3.0, which has a maximum theoretical speed of 5 gigabits per second, the Atomos Powered Dock has often been dogged with the suspicion that it’s a bottleneck, slowing down transfers. It might be the internal USB 3.0 controller, or something else; but rather than figuring out the reason, I thought I’d run it through some tests and let the data speak for itself.

Problem is, that Master Caddy II also increases the height and width of the cartridge surrounding the standard SATA connection, so you can’t just plug it into a typical 2.5″ hard drive dock. You can’t even plug in a standard internal SATA connector, because it won’t go in all the way as the caddy recesses the connector a bit. So, to do this test, I had to go through the hassle of unscrewing the four caddy screws, and remove the hard drive for testing.

Atomos Shogun Sled versus Sabrent Dock-2The most simple but also ideally spec’ed tool for this is by Sabrent, seen in this picture, which plugs straight into the bare 2.5″ SSD, and terminates in a USB 3.0 plug (also the additional USB 2.0 connector for more power, if necessary). It features a protocol called UASP that may or may not be available to you, depending on (for example) your computer’s motherboard, for up to 20 percent faster speeds.

Benchmark using Sabrent Dock
Benchmark using Sabrent Adapter

Connected into the Sabrent, my SSD holding numerous Atomos Shogun files performed appreciably faster, as seen in my actual benchmark report above. However, the speed improvement was mainly in the write speed category, which is far less important for the primary reason you’d hook up your Master Caddy II: you’re only reading from it most of the time, to ingest footage onto your hard drive for editing.

Benchmark using Atomos Powered Docking Station
Benchmark using Atomos Powered Docking Station

You can verify this above by comparing my benchmark using the Atomos Powered Docking Station, where the write speeds are considerably slower. Are these tests of much practical value? Not really. First, you still can’t plug the Sabrent Adapter straight into the SSD when it’s screwed into a Master Caddy II – though it would have been nice to use the Sabrent instead, because of its faster speeds, UASP compatibility, and more portable form factor. Second, and again: this isn’t really a workflow for writing onto your SSD, mostly just reading from it for ingesting media, so the speed gain isn’t such a big deal anyway. But I’m glad I checked this out, hoping you find it useful too – and please let me know if you’ve gotten different test results using other products.

October 19, 2015 ARRI Alexa and Amira, Blackmagic Cinema Cameras, Camera User Groups, Canon Cinema EOS, Canon EOS 5D Mark III, Canon EOS 70D, Canon EOS Rebel/70D/80D, FocusPulling Original, Panasonic GH3, Panasonic GH4, Reblog, Sony a7S, Sony CineAlta F3/F5/F55, Sony NEX-FS100, Sony NEX-FS700, Sony NEX-VG10/VG20/VG30, Sony PXW-FS5, Sony PXW-FS7 atomos, master caddy, ninja assassin, sabrent, shogun 1 Comment
12 October 2015

Review of the Atomos Action Pack for Shogun

Written by Paul Moon

Atomos Shogun Action Pack-1Shogun users have been waiting for the Atomos Action Pack to come out for a long time, not only because it was promised to some of its newest customers for free, but also, we pinned our hopes on it to maybe settle the two biggest complaints about the Shogun: that it’s delicate, and it needs a sun hood.

Boo hoo.
Boo hoo.
I had an especially inspired reason to anxiously await this Action Pack, and you can see why in the photo to our right. During principal photography for a gimbal-driven dance film during my residency this summer (that’s now in the festival circuit), I stumbled over a tree root, head-first into the ground, and the Shogun screen shattered. First thing to note is, Atomos has a great attitude in customer service, and this incident was no exception. After getting my Shogun happily fixed, their Action Pack soon arrived. Is this what I was waiting for? Sadly, mostly, no!

Atomos Shogun Action Pack-2You could buy all the pieces separately, but they’d cost more than the Action Pack when you add it all up. Yet each of them has its unique problems. Starting with the screen protector, there were no instructions on how to carefully apply it: even giving the benefit of the doubt that Atomos customers know their stuff (after sticking a protector onto a smartphone, or even a Palm Pilot further back in time), I found the included wiping cloth to not be lint-free and static-free, defeating its purpose. Check out the macro close-up above-left, of pilling on its surface. Failing to remove dust (and even adding some), you can see in the picture below what quickly happened – and, you veterans of this operation know how after that, there’s no turning back. You cannot clean the adhesive side of a screen protector, after it’s gathered any dust. You just live with those little specks forever, or you throw away the screen protector for good (and it’s a $30 price tag if you buy another one separately). Boo!

Atomos Shogun Action Pack-3

But let’s assume you lucked out and stuck that sheet onto your Shogun like a pro. Moving onto the so-called “Armor,” let’s just say it wouldn’t stop an arrow. I actually liked the decision by Atomos to create a “bumper”-style rubber frame for the Shogun, adding very little weight, making the whole thing “grippy,” and absorbing shock upon impact. In comparison, several metal cages have preceded it (e.g., Varavon and Shape), priced high into the stratosphere for the value you get (considering the low cost to manufacture them). Even your budget option is a bad choice: there’s a “KavalCage” made by a mysterious company called PV Gear with no customer service (ignoring repeated e-mails, eventually admitting that they reply only if they want to), and they hide their full contact information (like, where do they pay their taxes?).

Atomos Shogun Action Pack-4Really, if you want to avoid the expense and bulk and non-shock-absorption of such metal cages, the Atomos Armor may not be such a bad option, bought separately. What you’ve got to live with, though, is a fairly loose fit: in the picture to the right, you can see how the Atomos logo, which is supposed to cover up the Shogun logo, sort of flops out of place easily with no effort. Atomos Shogun Action Pack-5The top of it, seen at left, has cut-outs for thread holes and vents, though you sacrifice an especially firm connection unless you really screw down, dangerously tight into sockets that aren’t well reinforced. Atomos Shogun Action Pack-6And the rear design is also a missed chance, as seen at right, to address the worrisome problem that SSD cartridges can easily disconnect, as it’s so flush that it doesn’t even add resistance against the cartridges sliding out.

Atomos Shogun Action Pack-8Atomos Shogun Action Pack-14Then there’s the sun hood, and it starts off with a dilemma: you can’t use it at the same time as the bumper, shown at left. So it’s either/or, defeating the purpose, while adding set-up/re-configuration time to your shoot. It screws into the top and bottom mounting holes with further loose hardware, seen at right, that can get lost, and feature fairly weak mounting points for the whole hooded and heavier Shogun.

Atomos Shogun Action Pack-12Atomos Shogun Action Pack-13There is a peek-a-boo elastic slot that lets you access the Shogun’s touchscreen (or for finger-puppet shows), weirdly on the upside-down side. And there’s also a sub-hood of sorts, framing the opening even smaller for more sun protection and/or privacy, which is a nice idea, but unfortunately doesn’t stay in place well at all, as seen in the photo below: those side flaps are magnetic, but here you are looking at them in their relaxed, fitted state: simply not adhering properly.

Atomos Shogun Action Pack-15

Atomos Shogun Action Pack-9But let’s assume you still dig all these parts in the kit. How about the case that keeps them all together? Well, to start with, it’s pretty big. With both a top and bottom compartment, you might not use all the space. (Reminds me of the original gigantic Pelican-style case that Atomos generously included with all their first-run Shoguns – now, it’s optional.) Atomos Shogun Action Pack-10Yet it doesn’t store the sun hood anyway, and then without the bumper on (because you’ll be using the sun hood on a shoot), the case’s Shogun compartment isn’t snug anymore.

Honestly, I wasn’t in the majority complaining camp, when the Shogun finally arrived to market: I understood that Gorilla Glass would take its price tag too far north, and I didn’t see much difference between a hard plastic chassis and a heavy metal cage in terms of durability. I probably would have cracked my screen anyway, with one kind of armor or another, and also it feels less important to me keeping the Shogun cosmetically prim compared to more important things like camera bodies, lenses, exposed glass and sensors. Between overpriced/heavy metal cages, and this Action Pack, we still seem to have a problem with no ideal solution. I suppose I’ll just keep risking it, like we do on any shoot these days, hauling around such a complicated melange of gear as it is.

October 12, 2015 ARRI Alexa and Amira, Blackmagic Cinema Cameras, Camera User Groups, Canon Cinema EOS, Canon EOS 5D Mark III, Canon EOS 70D, Canon EOS Rebel/70D/80D, FocusPulling Original, Panasonic GH3, Panasonic GH4, Sony a7S, Sony CineAlta F3/F5/F55, Sony NEX-FS100, Sony NEX-FS700, Sony NEX-VG10/VG20/VG30, Sony PXW-FS5, Sony PXW-FS7 action pack, atomos, shogun 2 Comments
04 September 2015

Sony Teases New FS-Series Professional Camcorder

Written by Paul Moon

MissingPiece

Sony Professional USA and Europe have begun teasing the launch of a new FS-series camcorder, creating the hashtag #MissingPiece to suggest that something’s coming to their line-up between the NEX-FS700 and PXW-FS7, as seen in their meme above. It wasn’t a sure clue, but leading up to that, their big price break on the FS700 was timed to match. The continued value of that workhorse raises some interesting issues about what this missing piece should be after all. (I leave it to that Dutch panhandling rumor site, which shall remain nameless, to speculate…and then beg for clicks to pay for dinner as always.)

Click here to register directly with Sony for an update on the launchSerious filmmakers are still making use of the NEX-FS700 with great results. It added the in-body ND filters that Sony had claimed were impossible on the NEX-FS100, and its purpose-built Super 35mm sensor has big photosites for low-light sensitivity rivaled only by their a7S that’s arguably not a viable option for many professional applications (basically, the a7’s have the form factor of a point-and-shoot purse cam). My line in the sand, for example, is balanced XLR audio inputs: anything without that is in B-camera territory! The AVCHD internal codec’s not great, though, recording 8-bit 4:2:0 color at a low bitrate that grades poorly. It’s basically the same as the FS100, which remains my sentimental favorite, still a central part of my kit. So the first thing we could expect from the #MissingPiece is XAVC.

But we’ve got that in the PXW-FS7, upgraded to 4K internal recording at 10-bit 4:2:2 color, with a better form factor for shoulder-mounted shooting. At $8,000 USD, though, it’s pretty cost-prohibitive to a certain kind of shooter who’s not writing off expenses, or renting, or sending their bill up to deeper pockets. And it’s getting “old” in this light-speed tech niche.

It also doesn’t have a full-frame sensor. And that’s where I’m going with this: there’s no disputing by now that the a7R II is a full-frame 4K wonder (despite its form factor), but it has a massive product defect: it overheats. (More on that soon here, as I’ve been shooting with it for a few weeks.) All eyes are on the dream of a video-focused a7S II, but the chip fabrication evolution that’s necessary for heat reduction, within the original a7S form factor, is probably a product cycle or two away (kind of like the tick-tock of Intel microprocessor development). Bottom line, the only way to get that ideal real-world combination of shooting features without overheating — in-body image stabilization while actually moving around (not just shooting a locked-down static shot of a potted cactus), plus heavy number crunching for XAVC 4K compression on actual kinetic footage — Sony needs a bigger form factor with proper heat management for full-frame 4K. Their CineAlta line doesn’t have it yet, but will the FS line get it first? If Sony plays things right, that’s the #MissingPiece. We’ll find out in exactly one week.

September 4, 2015 FocusPulling Original, Sony NEX-FS100, Sony NEX-FS700, Sony PXW-FS7 fs100, fs7, fs700 Leave a Comment
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