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Author Description

Paul Moon
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H. Paul Moon is a filmmaker based in New York City and Washington, D.C. whose works concentrate on the performing arts. Major films include “Sitka: A Piano Documentary” about the craftsmanship of Steinway pianos, “Quartet for the End of Time” about Olivier Messiaen’s transcendent WWII composition, and an acclaimed feature film about the life and music of American composer Samuel Barber that premiered on PBS. Moon has created music videos for numerous composers including Moondog, Susan Botti and Angélica Negrón, and three opera films set in a community garden. His film “The Passion of Scrooge” was awarded “Critic's Choice” by Opera News as a “thoroughly enjoyable film version, insightfully conceived and directed” with “first-rate and remarkably illustrative storytelling.” Further highlights include works featured in exhibitions at the Nevada Museum of Art and the City Museum of New York, PBS television broadcasts, and best of show awards in over a dozen international film festivals.

25 August 2015

Power to Your Rig: Atomos Power Station, MAXOAK V-mount Battery & CAME-TV V-mount Battery Plate

Written by Paul Moon

Battery power is a big stress during most shoots! Without any universal standard, camera operators juggle different battery types, charger types, and workflow carousels back at the base. As cameras keep getting smaller, their batteries run out quicker: two of my favorites (the Blackmagic Pocket Cinema Camera, and the new Sony a7R II) basically demand a pocketful of spares to make it through an average shoot.

If you can afford to add a little weight onto your rig, and take a load off your mental stress, there are scalable solutions to choose from depending on your needs. This video walks you through what’s out there, and what’s new.

Atomos Power StationStarting with the Atomos Power Station, which comes in a Photo version (sort of misleading, because it’s really just a package with smaller batteries and only GH3/GH4 + a7x adapters), and also a Video version (larger batteries and more camera adapters), this video shows you what’s in the box, how it works, and how it can put your rig at ease. I should add here, as Atomos notes, that a key feature of the Power Station is its significantly faster charging time, when you connect the included AC adapter to its input, whenever batteries are hooked onto the Power Station.

Kayo Maxtar V-mount BatteryIf we keep adding more accessories to the rig, though, with more power-hungry gear, even the Power Station might not be enough (or last long enough). The next level up is V-mount. It’s always been priced for the “not-my-own-money” production world, but a new arrival to the scene called MAXOAK might be the current front-runner for combining affordability with high power, high quality, and extra features. Their new V-mount battery rated at 12,000 milliamp-hours (177 watt-hours) has an integrated push-button battery tester, D-Tap power port, and even a standard USB power port. That not only makes it the phattest cell phone charger on the street (not that you’d carry it around), but also adds versatility as we’re seeing USB 5-volt bus power become more common for camera gear. As this video mentions, the new a7R II takes bus power from its micro-USB port not just to charge the internal battery like its predecessors, but actually to power the entire camera. Other gear like the Tascam DR-60D and DR-70D audio recorder accept USB bus power too, even without batteries installed, and hopefully the industry will come around to making this a standard option.

CAME-TV VM02 V-mount AdapterV-mount batteries are typically hooked right onto studio lights or big camcorders (particularly “ENG”-style shoulder-cams), including the recent Sony CineAlta line-up and the Blackmagic URSAs from Maxi to Mini. But big V-mount batteries like the MAXOAK can also slide onto battery adapters. This video highlights the CAME-TV VM02 V-mount Battery Plate (because it’s my favorite), but there are others just like it, including something from Tilta. As seen this video, you can mount it on standard 15mm rails, and a shoulder pad to counterbalance a rig, while it gives you multiple outlets at various voltages for all your devices that need power.

One thing I don’t mention in this video (a little off-topic) is just to remind you that there are airline restrictions on lithium batteries, depending on size and whether it’s carry-on or checked baggage. For travel to and from the United States, for example, that MAXOAK battery at 177 watt-hours is a no-go, given the maximum allowance of 160 watt-hours for both carry-on and checked baggage, as noted at this FAA PDF. Crazy fact: even those tiny batteries for your cameras have to be docked in your equipment for checked baggage, as loose spares aren’t allowed!

Anyway, that’s the point of this video: you want to be prepared for anything, and sometimes you need to travel light and carry light. Other times you can add a little weight and get some peace of mind. I hope this helps you figure it out! I know that it took me a while. Let me know what you think in comments below. Did I miss something?

August 25, 2015 FocusPulling Original, FocusPulling Original Video Leave a Comment
09 August 2015

The $8 Atomos Shogun Travel Case (for now)

Written by Paul Moon
August 9, 2015 FocusPulling Original Leave a Comment
06 August 2015

Scooter Shoot: CAME-Single 3-axis gimbal stabilizer, Voigtlander 10.5mm f/0.95 lens & Panasonic GH4 in 4K-UHD

Written by Paul Moon

I’ve got a new scooter shop in my neighborhood, and figured it could be a visually fun place to start experimenting with my new CAME-Single 3-axis gimbal stabilizer that just arrived. A more thorough review of the product is forthcoming, but in the meantime, here are some notes on this shoot.

CAME-Single Wide with VoigtlanderApart from the standard practice of closing up apertures for wide depth of field where you just can’t manage pulling focus while flying on a gimbal, I’ve always wanted to try out steadicam style in shallow focus, using a bright prime lens. But that presents a few problems: it only makes sense to shoot ultra-wide on a gimbal, and those lenses aren’t typically bright, especially with a high crop factor like you get with the Panasonic GH4. Anything capable of shallow focus at wide focal lengths has got to be huge, and the king of them all is Voigtländer’s new 10.5mm f/0.95 lens, weighing in at 568 grams. Hooked onto the GH4 and then stacking a requisite ND filter, it’s well past the CAME-Single’s 1 kilogram weight limit. So, these results probably look worse than the normal stabilizer capability of the CAME-Single (to be confirmed soon), and I have to admit, I applied Adobe Warp onto a clip or two where things got really bad. But I was surprised that the CAME-Single didn’t freak out, and it generally did the job.

CAME-Single Close-Up with Voigtlander

You must agree, it’s a cool look! Having that buttery bokeh while smoothly flying around like this is a really unique aesthetic. It only works when you’re keeping an equal distance to everything, as seen here starting a half-minute in. But if I wanted (or only could manage) long depth of field, I would be better off using my Olympus 9-18mm f/4 lens that’s truly miniature and wouldn’t stress the motors (but performs great). I’ll test the CAME-Single with that lens going forward, in a stabilizer round-up that includes the CAME 7800, Nebula 4000 Lite, Cinevate Morpheus, Big Balance Gibbon, and Steadicam Merlin.

Thanks to Jamie at La Moto Washington for letting me roam around. He’s running the best shop in the mid-Atlantic region for scooters and motorcycles.

Note that you can play the video back in 4K-UHD, on a capable monitor, by enlarging it to full-screen. If that doesn’t seem to work, it’s also posted at YouTube where you can hit up the gear icon at bottom-right there to select 2160p resolution. Thanks for watching!

August 6, 2015 FocusPulling Original, FocusPulling Original Video, Panasonic GH4 1 Comment
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