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Category: FocusPulling Original

06 August 2015

Scooter Shoot: CAME-Single 3-axis gimbal stabilizer, Voigtlander 10.5mm f/0.95 lens & Panasonic GH4 in 4K-UHD

Written by Paul Moon

I’ve got a new scooter shop in my neighborhood, and figured it could be a visually fun place to start experimenting with my new CAME-Single 3-axis gimbal stabilizer that just arrived. A more thorough review of the product is forthcoming, but in the meantime, here are some notes on this shoot.

CAME-Single Wide with VoigtlanderApart from the standard practice of closing up apertures for wide depth of field where you just can’t manage pulling focus while flying on a gimbal, I’ve always wanted to try out steadicam style in shallow focus, using a bright prime lens. But that presents a few problems: it only makes sense to shoot ultra-wide on a gimbal, and those lenses aren’t typically bright, especially with a high crop factor like you get with the Panasonic GH4. Anything capable of shallow focus at wide focal lengths has got to be huge, and the king of them all is Voigtländer’s new 10.5mm f/0.95 lens, weighing in at 568 grams. Hooked onto the GH4 and then stacking a requisite ND filter, it’s well past the CAME-Single’s 1 kilogram weight limit. So, these results probably look worse than the normal stabilizer capability of the CAME-Single (to be confirmed soon), and I have to admit, I applied Adobe Warp onto a clip or two where things got really bad. But I was surprised that the CAME-Single didn’t freak out, and it generally did the job.

CAME-Single Close-Up with Voigtlander

You must agree, it’s a cool look! Having that buttery bokeh while smoothly flying around like this is a really unique aesthetic. It only works when you’re keeping an equal distance to everything, as seen here starting a half-minute in. But if I wanted (or only could manage) long depth of field, I would be better off using my Olympus 9-18mm f/4 lens that’s truly miniature and wouldn’t stress the motors (but performs great). I’ll test the CAME-Single with that lens going forward, in a stabilizer round-up that includes the CAME 7800, Nebula 4000 Lite, Cinevate Morpheus, Big Balance Gibbon, and Steadicam Merlin.

Thanks to Jamie at La Moto Washington for letting me roam around. He’s running the best shop in the mid-Atlantic region for scooters and motorcycles.

Note that you can play the video back in 4K-UHD, on a capable monitor, by enlarging it to full-screen. If that doesn’t seem to work, it’s also posted at YouTube where you can hit up the gear icon at bottom-right there to select 2160p resolution. Thanks for watching!

August 6, 2015 FocusPulling Original, FocusPulling Original Video, Panasonic GH4 1 Comment
30 July 2015

Canon ME20F-SH: 4 Million ISO in a Cube!

Written by Paul Moon

A couple of years ago, Canon teased an ultra-low-light sensor that could capture 1080p video at up to 60 frames per second, as seen in the video clip above. What we didn’t see coming is this kind of hybrid response by Canon to the ARRI Alexa Mini, and the Sony a7S, in their new ME20F-SH that is due to arrive in December at $30k. A specialty video shooter, it feels like an industrial tool for surveillance, but Canon hints that it could be used for film and television production in extraordinary low-light conditions: this thing can capture video with less than 0.0005 lux of illumination, which equates to an ISO sensitivity of about 4 million!

There’s no viewfinder or display on the device at all: you would need to hook up an external monitor for digging through menus, and seeing what you’re shooting. It doesn’t record anything. Endless commentary is already underway with this breaking news, but here are some further quirks to ponder:

  • Canon has introduced something called EF-mount with Cinema Lock, and it’s the mount itself that rotates to lock the lens in. It would be great to see this on the entire Cinema EOS product line.
  • Canon is vague about the color characteristics of this product, not specifically citing C-Log or its variants, but assuring that it’s “Canon Log and Wide Dynamic Range.” This nonchalance plays along with the industry-wide problem confronting an increased sophistication by filmmakers who demand flat color profiles, but find no standards (and frequent version changes). Which C-Log and S-Log versions are we on now? Where is V-Log?
  • “Exposure and white balance are automatic”: really?
  • What’s that round multi-pin interface on the front? It’s labeled “LENS.”
  • There’s not enough room in/on the chassis for a battery, and it requires external DC power.
  • The “MIC” input is just an unbalanced 1/8″ jack. Seriously?
  • It has a built-in ND filter. It doesn’t do 4K.
  • In reality, this 4 Million ISO Cube is not nearly a threat to that other cube, the ARRI Alexa Mini, which was designed for mounting in tight spaces like stunt work, drones, and B-camera roll to match the mothership. It’s also not nearly a threat to the a7 line of video shooters as they evolve, which are fully-featured shooters with (mostly) everything integrated.

    Even if you can’t quite put your finger on it, Canon at least has dropped a midnight surprise defying that big complaint by the filmmaker community: they never take risks. This thing came out of nowhere, and it’s punk rock. Way to go!

    Here are the specs, straight from Canon’s press release:
    ME20F-SH Specs

    July 30, 2015 Canon Cinema EOS, FocusPulling Original 1 Comment
    19 June 2015

    Amazon Echo: Can you hear yourself?

    Written by Paul Moon

    Echo
    Every once in a while, it’s irresistible to review something here that’s outside the world of cinematography tech. Since we’re all to some extent gadget freaks, a few thoughts about the new and hard-to-get Amazon Echo can’t be too far out of place. After all, something that takes down notes you may dictate in the morning while combing your hair, then sends them to your cloud account with an alert sometime later, will help you make films: “Alexa: Add to to-do list, pack extra battery for Wednesday shoot.” Yes, it’s true, you must always address Echo as “Alexa,” which amounts to a repetitive, depressing reminder for most of us that we can’t afford an ARRI.

    But my rant starts here: Amazon has a basic instinct (and capitalist right) to assume that consumers will buy stuff from them while going about their daily lives, checking e-mail, listening to music, and now, using the Echo. You should own that understanding, anytime they offer you something.

    They designed their tablets and phones based on the open Android operating system, though on sort of a loophole, they locked it down to an Amazon-centric environment, in a style that’s basically anti-customer. There is no customer on the face of the Earth, for example, who prefers using the Amazon App Store instead of the Google Play store. But Amazon wants to hold the mic at Google’s show, and Google doesn’t mind having more friends, even if they’re pushy.

    Echo is an interesting wrinkle in Amazon’s quest for world domination: they are opening up the device just a wee bit more than usual. It was totally shocking to find a Google Calendar integration feature added last month, like diplomatic talks opening with North Korea. And to a very limited extent, Echo recently got interoperability with IFTTT.com, Phillips Hue, and Belkin WeMo for home automation tricks. I’m sad to admit that my every day ends now with me saying, “Alexa: Bedroom Off” — and that starts a 1-minute countdown of two lights fading to black, while checking to ensure that the rest of the house is saving energy. Aaand…scene.

    But lest we forget, Amazon is sorta like the Apple Corporation: when it comes to offering core features, they hedge to the lowest common denominator. Those cool kids they want to run with (actually, older/wealthier non-techheads) cannot possibly be confused by anything, so their Echo is dumbed down, to the bone. Customization is utterly minimal. And Amazon’s responsiveness to feature requests, even the most elementary ones, is predictably perky and bubbly and inclusive-sounding…though they ignore almost everything.

    Case in point: forums are lit up with people noting that Echo boasted about being an alarm clock, while every such device lets you keep a daily wake-up time. Amazon has ignored these thousands of complaints about how you need to manually re-program the Echo for every new day, starting from scratch. And again, Amazon won’t empower customers with a single little checkbox inside the Echo app, for daily repeating, or even (gasp) a 7-day schedule like every modern thermostat (or the Chumby alarm for that matter) — Amazon doesn’t want to hear about any confusion from the 1%.

    But OK, it’s time to stop complaining and say something positive. It never hurts to step into the shoes of a more innocent P.O.V., admitting that Amazon Echo is sorta amazing. There’s nothing else like it. The microphone array almost never fails to understand commands, even from a room or two away. It tells corny jokes. And it reads books from Audible.

    Even so, Amazon will always be Amazon. They’ll never cede control of their technology to the smart set. And on this, they’re extremely vulnerable: the moment Google invents something like the Echo, without a closed architecture and faux customer embrace, the Echo will become just an echo.

    Amazon Echo is now being sold without the need to wait for an invitation. It’s now $179, after the early-adopter $99 run that ended earlier this year.

    June 19, 2015 FocusPulling Original amazon echo 1 Comment
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