• Blog
    • Latest Posts
    • News
    • Featured Videos
    • Deals
  • About
  • Camera User Groups
    • ARRI
      • User Videos
      • News & Deals
      • Related Posts
    • Blackmagic
      • User Videos
      • News & Deals
      • Related Posts
    • Canon
      • Canon Cinema EOS
        • User Videos
        • News & Deals
        • Related Posts
      • Canon 5D Mark III/IV
        • User Videos
        • News & Deals
        • Related Posts
      • Canon Rebel/70D/80D
        • User Videos
        • News & Deals
        • Related Posts
    • Panasonic
      • Panasonic GH5
        • User Videos
        • News & Deals
        • Related Posts
      • Panasonic GH4
        • User Videos
        • News & Deals
        • Related Posts
      • Panasonic GH3
        • User Videos
        • News & Deals
        • Related Posts
    • Sony
      • Sony a7-Series
        • User Videos
        • News & Deals
        • Related Posts
      • Sony CineAlta
        • User Videos
        • News & Deals
        • Related Posts
      • Sony PXW-FS7
        • User Videos
        • News & Deals
        • Related Posts
      • Sony PXW-FS5
        • User Videos
        • News & Deals
        • Related Posts
      • Sony NEX-FS700
        • User Videos
        • News & Deals
        • Related Posts
      • Sony NEX-FS100
        • User Videos
        • News & Deals
        • Related Posts
      • Sony NEX-VG10/20/30
        • User Videos
        • News & Deals
        • Related Posts
    • Z CAM
      • User Videos
      • News & Deals
      • Related Posts
    • RigShots
  • VR
    • Daily Digest
    • Videos IN VR
    • Videos ON VR
    • Latest Posts
    • News & Deals
  • DOCOFILM
    • Newsletter
    • Latest News
    • Featured Videos
  • Essays on Film
  • Adobe Premiere Tips
Menu
  • Blog
    • Latest Posts
    • News
    • Featured Videos
    • Deals
  • About
  • Camera User Groups
    • ARRI
      • User Videos
      • News & Deals
      • Related Posts
    • Blackmagic
      • User Videos
      • News & Deals
      • Related Posts
    • Canon
      • Canon Cinema EOS
        • User Videos
        • News & Deals
        • Related Posts
      • Canon 5D Mark III/IV
        • User Videos
        • News & Deals
        • Related Posts
      • Canon Rebel/70D/80D
        • User Videos
        • News & Deals
        • Related Posts
    • Panasonic
      • Panasonic GH5
        • User Videos
        • News & Deals
        • Related Posts
      • Panasonic GH4
        • User Videos
        • News & Deals
        • Related Posts
      • Panasonic GH3
        • User Videos
        • News & Deals
        • Related Posts
    • Sony
      • Sony a7-Series
        • User Videos
        • News & Deals
        • Related Posts
      • Sony CineAlta
        • User Videos
        • News & Deals
        • Related Posts
      • Sony PXW-FS7
        • User Videos
        • News & Deals
        • Related Posts
      • Sony PXW-FS5
        • User Videos
        • News & Deals
        • Related Posts
      • Sony NEX-FS700
        • User Videos
        • News & Deals
        • Related Posts
      • Sony NEX-FS100
        • User Videos
        • News & Deals
        • Related Posts
      • Sony NEX-VG10/20/30
        • User Videos
        • News & Deals
        • Related Posts
    • Z CAM
      • User Videos
      • News & Deals
      • Related Posts
    • RigShots
  • VR
    • Daily Digest
    • Videos IN VR
    • Videos ON VR
    • Latest Posts
    • News & Deals
  • DOCOFILM
    • Newsletter
    • Latest News
    • Featured Videos
  • Essays on Film
  • Adobe Premiere Tips

Category: FocusPulling Original

30 July 2015

Canon ME20F-SH: 4 Million ISO in a Cube!

Written by Paul Moon

A couple of years ago, Canon teased an ultra-low-light sensor that could capture 1080p video at up to 60 frames per second, as seen in the video clip above. What we didn’t see coming is this kind of hybrid response by Canon to the ARRI Alexa Mini, and the Sony a7S, in their new ME20F-SH that is due to arrive in December at $30k. A specialty video shooter, it feels like an industrial tool for surveillance, but Canon hints that it could be used for film and television production in extraordinary low-light conditions: this thing can capture video with less than 0.0005 lux of illumination, which equates to an ISO sensitivity of about 4 million!

There’s no viewfinder or display on the device at all: you would need to hook up an external monitor for digging through menus, and seeing what you’re shooting. It doesn’t record anything. Endless commentary is already underway with this breaking news, but here are some further quirks to ponder:

  • Canon has introduced something called EF-mount with Cinema Lock, and it’s the mount itself that rotates to lock the lens in. It would be great to see this on the entire Cinema EOS product line.
  • Canon is vague about the color characteristics of this product, not specifically citing C-Log or its variants, but assuring that it’s “Canon Log and Wide Dynamic Range.” This nonchalance plays along with the industry-wide problem confronting an increased sophistication by filmmakers who demand flat color profiles, but find no standards (and frequent version changes). Which C-Log and S-Log versions are we on now? Where is V-Log?
  • “Exposure and white balance are automatic”: really?
  • What’s that round multi-pin interface on the front? It’s labeled “LENS.”
  • There’s not enough room in/on the chassis for a battery, and it requires external DC power.
  • The “MIC” input is just an unbalanced 1/8″ jack. Seriously?
  • It has a built-in ND filter. It doesn’t do 4K.
  • In reality, this 4 Million ISO Cube is not nearly a threat to that other cube, the ARRI Alexa Mini, which was designed for mounting in tight spaces like stunt work, drones, and B-camera roll to match the mothership. It’s also not nearly a threat to the a7 line of video shooters as they evolve, which are fully-featured shooters with (mostly) everything integrated.

    Even if you can’t quite put your finger on it, Canon at least has dropped a midnight surprise defying that big complaint by the filmmaker community: they never take risks. This thing came out of nowhere, and it’s punk rock. Way to go!

    Here are the specs, straight from Canon’s press release:
    ME20F-SH Specs

    July 30, 2015 Canon Cinema EOS, FocusPulling Original 1 Comment
    19 June 2015

    Amazon Echo: Can you hear yourself?

    Written by Paul Moon

    Echo
    Every once in a while, it’s irresistible to review something here that’s outside the world of cinematography tech. Since we’re all to some extent gadget freaks, a few thoughts about the new and hard-to-get Amazon Echo can’t be too far out of place. After all, something that takes down notes you may dictate in the morning while combing your hair, then sends them to your cloud account with an alert sometime later, will help you make films: “Alexa: Add to to-do list, pack extra battery for Wednesday shoot.” Yes, it’s true, you must always address Echo as “Alexa,” which amounts to a repetitive, depressing reminder for most of us that we can’t afford an ARRI.

    But my rant starts here: Amazon has a basic instinct (and capitalist right) to assume that consumers will buy stuff from them while going about their daily lives, checking e-mail, listening to music, and now, using the Echo. You should own that understanding, anytime they offer you something.

    They designed their tablets and phones based on the open Android operating system, though on sort of a loophole, they locked it down to an Amazon-centric environment, in a style that’s basically anti-customer. There is no customer on the face of the Earth, for example, who prefers using the Amazon App Store instead of the Google Play store. But Amazon wants to hold the mic at Google’s show, and Google doesn’t mind having more friends, even if they’re pushy.

    Echo is an interesting wrinkle in Amazon’s quest for world domination: they are opening up the device just a wee bit more than usual. It was totally shocking to find a Google Calendar integration feature added last month, like diplomatic talks opening with North Korea. And to a very limited extent, Echo recently got interoperability with IFTTT.com, Phillips Hue, and Belkin WeMo for home automation tricks. I’m sad to admit that my every day ends now with me saying, “Alexa: Bedroom Off” — and that starts a 1-minute countdown of two lights fading to black, while checking to ensure that the rest of the house is saving energy. Aaand…scene.

    But lest we forget, Amazon is sorta like the Apple Corporation: when it comes to offering core features, they hedge to the lowest common denominator. Those cool kids they want to run with (actually, older/wealthier non-techheads) cannot possibly be confused by anything, so their Echo is dumbed down, to the bone. Customization is utterly minimal. And Amazon’s responsiveness to feature requests, even the most elementary ones, is predictably perky and bubbly and inclusive-sounding…though they ignore almost everything.

    Case in point: forums are lit up with people noting that Echo boasted about being an alarm clock, while every such device lets you keep a daily wake-up time. Amazon has ignored these thousands of complaints about how you need to manually re-program the Echo for every new day, starting from scratch. And again, Amazon won’t empower customers with a single little checkbox inside the Echo app, for daily repeating, or even (gasp) a 7-day schedule like every modern thermostat (or the Chumby alarm for that matter) — Amazon doesn’t want to hear about any confusion from the 1%.

    But OK, it’s time to stop complaining and say something positive. It never hurts to step into the shoes of a more innocent P.O.V., admitting that Amazon Echo is sorta amazing. There’s nothing else like it. The microphone array almost never fails to understand commands, even from a room or two away. It tells corny jokes. And it reads books from Audible.

    Even so, Amazon will always be Amazon. They’ll never cede control of their technology to the smart set. And on this, they’re extremely vulnerable: the moment Google invents something like the Echo, without a closed architecture and faux customer embrace, the Echo will become just an echo.

    Amazon Echo is now being sold without the need to wait for an invitation. It’s now $179, after the early-adopter $99 run that ended earlier this year.

    June 19, 2015 FocusPulling Original amazon echo 1 Comment
    21 May 2015

    CAME-Single 3-Axis Gimbal Camera Stabilizer

    Written by Paul Moon

    CAME-Single-HandleCAME-TV just announced today a new player in that fledgling ultra-portable 3-axis brushless motorized gimbal stabilizer market (what a mouthful!). The Filmpower Nebula 4000 Lite is our current champion (as I’ve argued here, and I keep using it on projects world-wide), being the first to add that critical third axis which proved so necessary after my prior test run with only two. But, what does the new CAME-Single offer in comparison? Here’s a list:

  • 32-bit brains (compared to 8-bit on comparable gimbals)
  • Tool-less adjustments on all three axes
  • Joystick control
  • Removable and easily replaceable batteries claiming over 10 hours of usage time per charge
  • Ability to hold position off-horizon, after a 1-second nudge
  • Evidently stronger motors
  • CAME-SingleStruggling with a language barrier, the video embedded here begins to explain all of this. I’ll try to get my hands onto one soon, and will go into more detail. You can already pre-order it at the CAME-TV site with a $100 discount, though, anticipating June delivery. I think you’ll find the product gets anodized with a black finish, instead of Flash Gordon silver. It remains to be seen whether it will incorporate the usual choices of follow modes, or the extent to which it can be programmed using open source software SimpleBGC (probably, seeing the micro-USB port, though no mention of Bluetooth). I don’t see any mounting holes (other than a tripod socket at the very bottom) for tools like lightweight microphones and monitors, so that might be a frustration. (I’d like to use my new Blackmagic Video Assist with this, whenever it arrives!) In terms of style, for customers older than boys, hopefully there won’t be bright colors/spongy yellow grips/toy trimmings and so on. It’s clever for them to suggest mounting it on jibs and sliders, though that appeal is on the margins, since jibs and sliders are stabilizers already: this is going to find its wings in hand-held use. Seems promising!

    May 21, 2015 FocusPulling Original came-tv, gimbal Leave a Comment
    ← Older posts
    Newer posts →

    Recent Posts

    • PGYTECH OneGo 2 Backpack Review
    • DJI Osmo 360 | touring Washington DC
    • PGYTECH OneMo 2: this might be your ultimate backpack
    • DJI RS 3: Essential accessories for the best all-around gimbal stabilizer
    15,288Fans
    2,939Followers
    51Followers
    333Followers
    6,170Subscribers
    588Followers
    54Subscribers
    722Subscribers

    Subscribe to Receive New Posts (Low-Traffic)

    Check your inbox or spam folder to confirm your subscription.

    START HERE TO GET YOUR GEAR AT THE B&H STORE

    B&H Search Banner Small
    B&H Photo - Video - Pro Audio

    Advertisement
    • RECENT REVIEWS AT FOCUSPULLING

    The Latest from Your RigShots

    Follow FocusPulling (.com)'s board RigShots on Pinterest.
    © Copyright 2015 by Zen Violence Films LLC, all rights reserved. To read the site privacy policy and ethics statement, click here.